
Martini Shot
Veteran TV writer and producer Rob Long shares his behind-the-scenes look at Hollywood life on "Martini Shot." A contributing editor for the National Review and Newsweek International, he was a co-executive producer of "Cheers" while still in his 20s and is the co-creator of a string of (cancelled) sitcoms: "George & Leo," "Men, Women & Dogs," etc. Rob is also the author of "Conversations With My Agent," the cult classic about real life in Hollywood, as well as its recently published sequel, "Set Up, Joke, Set Up, Joke."
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See?
Once, a writing team I know pitched a show to a network. Pitches are tricky things – sell too hard, too slick, with too much prepared "hey! How are ya?" kind of patter, and you turn everyone off. You turn something that's supposed to be a sales call disguised as a casual meeting into a sales call disguised as a…well, disguised as nothing. As a sales call. A shabby please-buy-my-thing kind of event, no different from those people you see lugging pharmaceutical samples around doctor's offices, handing out pens and pre-printed post-it notes...
Casting
You can make a good movie from a bad script. You can make a good television show from a bad script, too, though it's slightly trickier. And of course, the reverse is true, too: a lot of wonderful scripts have turned pretty awful when they got to the screen...
The Last Day in the Business
There's an old cliché about people in this business shouting at each other, "You'll never do business in this town again," or something along those lines –- as if a person (any person) was powerful enough to read someone out of the entertainment industry...
Craft Services
The best way to give somebody bad news is, first, give them a doughnut. This is basically the idea behind what we in Hollywood call "Craft Services..."
My Entrepreneurial Attitude
There was a time, not too long ago, when the best way to cast a television show was to make a list of the biggest stars you could think of who were currently having money troubles. And then you'd work your way down the list until money troubles plotted on the X-axis and size of part plotted on the Y-axis met, and, suddenly, you'd have a cast...
We Love You
The trick to being successful in the entertainment business – maybe it's the trick in every business, I don't know – is to get people to do stuff for you without realizing that they're doing it. Get people to write your script, be in your movie, produce your pilot, for as little cash outlay as possible...
Faster Funnier
We were shooting a pilot a few years ago, and one of the actresses was, for some reason, wearing a strange-looking headscarf. At some point, I guess, one of us had approved it, but on shoot night, it looked a little odd. It wasn't until we had three scenes shot that someone from the network mentioned it...
The Bad One
Sometimes in movies or TV shows, there's a moment where a character reveals something about himself, something embarrassing or humiliating, but something he hopes other characters share. And after an awkwardly humorous pause, it turns out they do, and the characters are drawn closer together thanks to the one character's willingness to be honest and vulnerable...
Second Act Trouble
Among the many, many smart things F. Scott Fitzgerald said, surely the least smart is, "There are no second acts in American lives..."
Milt and Marty
Every writer – well, every comedy writer – has made this mistake. You're at work, and you're laughing with your colleagues, about something – usually what we call a "room run" – a joke that originates entirely in the writers' room, one that's usually so objectionable, so foul, so indefensibly cruel and wrong and ugly, that the entire room is paralyzed by laughter...
Race to the Computer
Once, a famous writer gave a talk to a lot of aspiring writers. This kind of thing happens all the time – and not just at colleges and universities, but at weekend scriptwriting workshop seminars and writers' conferences, that sort of thing. I've done a few myself...
He Likes That
I know someone who works in advertising, and on his first week on the job, years ago, a more seasoned copywriter took him aside to give him advice. They were both on their way to the creative director's office, to pitch him some ideas for a new campaign...
Can We Talk about This Later?
The people who run KCRW only give me four minutes to make these little jewel boxes of commentary –- something about wanting to broadcast the news or I don't know what –- so it's hard to fit everything in sometimes. Most of the time it's easy, of course, because everything I say pretty much boils down to: writin's hard...
No More Cupcakes
A few years ago, a friend of mine tried to fire his agent. It didn't go well. After a long, wearying phone call, in which the agent tried everything in his bag of tricks – you owe me! This is wrong! I screwed up, I know! Gimme one more chance! This is a bad career move! -- all of them, my friend finally agreed to the thing he had been dreading – the thing that every single one of his writer friends told him, under no circumstances, to agree to...
Host
Rob Long
Rob Long presents a laugh-out-loud, mostly true telling of life behind the scenes of the “real” Hollywood.
Schedule
Live
Tapes & Transcripts
Click the Full Details link to view the complete transcript. Tapes are not available.
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